Olympus SP-600UZ Assess
As with many equipment in life, expectations play a huge part in whether you’ll like the Olympus SP-600UZ. The two main attractions are its wide-angle lens with 15x zoom and its price; it can straightforwardly be found for less than $200. The rest of its facial appearance, which contain one-press tape of 720p HD movies, 1GB of domestic memory, and AA batteries, are excellent for the money, too. Based on looks, specs, and facial appearance, the SP-600UZ is a excellent deal.
Even if, those in the family tree way distinction at this price will liable be disappointed by this camera’s shooting performance and photo feature. For the SP-600UZ, that primarily means it doesn’t do well in low-light situation or indoors without a flash and is too slow for evenly shooting tender subjects like kids and pets. If you need a camera for those equipment, I wouldn’t buy this Olympus. Even if you’re taking into account it for shooting other subjects, you’ll doubtless want to read on just to be fastidious it’ll meet your needs.
A wide-angle lens with a 15x zoom is very seductive for many consumers. Just a few years ago it would have been impossible to find a camera with the SP-600UZ’s lens at this camera’s price and size. Yes, you can find smaller cameras now with that kind of shooting flexibility, but they’ll cost you more than $200. Despite its long lens, even if, the SP-600UZ is an entry-level camera and its photo feature is typical for its class. By that I mean that it takes decent photos when it has a lot of light and you can keep the ISO setting at or below ISO 200. Even if, photos even at these settings look very soft and lack fine detail when viewed at anything but small sizes. Basically, if you shoot in full daylight and your shots commonly go unedited and are destined for the Web, the SP-600UZ is OK. If you’re keen to do a modest sharpening with control software, you’ll get a bit more usability.
Extending the lens, even if, may require you to bump up the ISO to keep the close speed quick enough to help with shift blur and hand shake. (It has mechanical image stabilization, but it didn’t seem all that commanding when we tried it.) The problem with raising the ISO is that it obliterates fine detail, leave-taking you with a soft, fuzzy image biased with golden-haired blotching from noise. Add in color shifting from noise and noise suppression, and the consequences are, again, really only apposite for use at small sizes.
Color from the SP-600UZ is commonly excellent, at least at the lower ISOs previous to noise causes the aforementioned harms. The white weigh isn’t very excellent indoors; the auto leans headed for warm, while the presets are cool. On the upside, the camera’s Exact Shot Preview logic lets you straightforwardly see how the white-weigh settings will look previous to you shoot. You can then just pick the one that looks best to you. There is no blue-collar white weigh.
At the wide end of the lens there is lop-sided barrel distortion on the left side. With the lens total there is pincushioning, even if it’s not as noticeable as the barrel distortion. The left side of the lens is also the least sharp, getting very soft and smeary, above all in the corners. The focal point and right side of the lens are much better. Fringing in high-draw a distinction areas of photos is at mean amounts. You’ll only really see it if you’re viewing descriptions at their full size.
Video feature is on par with a basic HD sack video camera: excellent enough for Web use and undiscriminating TV viewing. Panning the camera will start judder that’s typical of the video from most compact cameras. The zoom lens does gathering while tape, but you have to shut off the mic previous to you start shooting. In other words, you get zoom but no audio, or you get audio but no zoom.
The SP-600UZ is embattled at those who seldom if ever stray from fully involuntary shooting. Its i-Auto mode uses scene recognition to choose what settings to use for the best consequences. Commonly, it works fine. There is a Curriculum Auto if you want to tussle some control away from the camera; there is no control of close speed or gap, even if. There are 14 scene modes, too, and all the usual suspects are here such as Likeness, Landscape, Night Scene, Sunset, and Fireworks. If your theme falls under one of those modes, I urge using it.
The Panorama mode is a highlight. You press the close relief with the camera aimed where you’d like to start your panorama shot and it puts a group and a butt on the cover. Place the group in the focal point of the butt by tender the camera to the right and it’ll take the next shot when it’s centered. Do that once more and it’ll take your three shots and darn them collectively in-camera into a single 2-megapixel photo. If you want to shoot your panorama vertically or from right to left, the camera has blue-collar panorama shooting options.
Olympus also includes a Beauty Mode for smoothing skin tone and texture in portraits and four Magic Filters–Pop Art, Depiction, Fish Eye, and Pin Hole–that let you get a modest creative with your photos. You can’t apply these after you’ve shot, even if you can apply one of four color filters in Playback.
For shooting close-ups, the camera has Macro and Super Macro options. The ex- can focus as close as 5.9 inches from a theme, and the latter lets you get up to 0.4 inch away. Ordinarily megazooms produce their best fine detail in their macro modes. Not so much with the SP-600UZ; when viewed at 100 percent, the consequences are still soft and fuzzy, and sharpening only helps if you keep the photo small.
One of the largest issues I have with the SP-600UZ is its shooting performance. More particularly it has a pretty nasty close lag, which is how long it takes a camera to capture an image after the close-relief button is pressed. In sharp situation, the SP-600UZ’s close lag is 0.8 following. In dimmer lighting that time doubles. Shot-to-shot times aren’t fantastic, any: 2.3 seconds without flash and 2.6 seconds with the flash. From off to first shot takes unequally the same time at about 2.5 seconds. Continuous shooting is the one high point, shooting at 1.1 frame per following at full pledge and 11.8fps at 3 megapixels. Even if, that speed is just on par with competing models.
Were it not for the nice facial appearance and point of the SP-600UZ, it doubtless wouldn’t be worth taking into account at all. The camera is comfortable to hold and use, due in part to a large hand grip with a rubberized surface. Better hands may have problem pressing some buttons on the back, even if, as they are small and very close collectively. The menu logic is simple to follow and looks pretty, too, even if it is sluggish at times.
The camera uses four AA-size batteries for power and can be used with rechargeables or alkaline cells. There’s also a DC-in jack on the camera’s left side for use with an discretionary power adapter. As for ports, the camera has a Micro-USB port for pad or AV out and a Micro-HDMI productivity. The SP-600UZ can store photos and video on SDHC cards or 829MB of available domestic memory. The total quantity is 1GB, but Olympus place a full, searchable user blue-collar on the camera as well as software for organizing, control, and sharing. It’s Windows-only, but the wrap is in fact pretty excellent.
The Olympus SP-600UZ is a cheap but arresting megazoom camera with a decent figure set for involuntary shooters. Its photo feature is only excellent in sharp lighting situation, if at all possible outdoors, and its shooting performance is best suited for stationary subjects and patient users.
The Olympus SP-600UZ excellent:
Nice facial appearance, point for its price; 1GB of built-in storage; one-touch movie tape.
The Olympus SP-600UZ terrible:
Soft, noisy photos above ISO 200; long close lag; ineffective image stabilization.
The Olympus SP-600UZ underside line:
The Olympus SP-600UZ is simple on your wallet for a megazoom, but its photos and performance require a lot of negotiate.